• X-OCN Internal Recording
• 4K ProRes 4444/422HQ Internal Recording
• Interchangeable CMOS 8.6K Sensor Block
• 16 Stops of Dynamic Range
• 800/3200 Base ISO Range
• Removable PL Mount, Cooke /i Protocol
• Sony E-Mount with Electronic Contacts
• 8 x Integrated ND Filters Plus Clear
• Integrated Assistant-Side Info Screen

Beautiful Imagery in Any Light

Take advantage of the wide dynamic range of the camera to shoot in the extremes of exposure, from candlelight to bright sunshine. The camera, with its dual native ISO ranges, allows you to push the boundaries of your creative lighting choices.

Firmware Update v3.00

• Adds support for virtual production functions.
• Enhances live production features and more.

Dual ISO

The VENICE 2 with an 8.6K sensor features a dual-range ISO setting with 800 and 3200 base settings while sharing the same color science as the original 6K sensor. 

Sensor

The new 8.6K sensor improves on the original sensor, providing more flexibility in the image for post-production work while still intercutting well with the 6K sensor. The 6K sensor block (not included) can be swapped into the VENICE 2 in the field, avoiding a trip to a service facility. This can be useful for capturing higher frame rates than you can with the 8.6K sensor.

Please note that though you can use the 6K sensor from the original VENICE in a VENICE 2, you cannot put the 8.6K VENICE 2 sensor into the original VENICE camera. Swapping sensor blocks is not a permanent change, as you can swap back and forth. No software or firmware changes are required when swapping sensors, as the camera recognizes the different sensor blocks and automatically adjusts. The sensor supports oversampling from 8.6 to 4K, or you can window in the camera to output 4K.

Lens Mount

• The VENICE 2 comes with the industry-standard PL lens mount. It is compatible with all Super 35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke /i Technology. The camera's lens information is recorded as metadata frame by frame.
• Removing the PL Mount exposes the camera's E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount, minimizing play. Rotating of the locking collar means that in most cases, lens support rigs don't need to be removed, which saves time during production.

Internal ND Filters

The servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis offers a massive ND range from Clear (no ND) and 0.3 (1/2 = 1 stop) to 2.4 (1/256 = 8 stops).

Servo Control

The servo control also greatly increases VENICE's flexibility when being controlled remotely on drones, cranes, or in underwater housing.

Although the optional Rialto 2 allows you to separate the sensor block from the camera body by up to 39' for placing the sensor and your lens in places too small for the camera body, the camera's smaller size, compared to the original VENICE, makes it easier to rig in drones, where the Rialto 2 would not be appropriate to use.

Internal Recording

Free yourself from an external recorder for raw and high-data-rate recording, as the VENICE 2 is capable of recording directly to AXS cards internally. Featuring two AXS card slots, you can capture X-OCN and 4K ProRes (both 17:9 and 16:9) internally and use relay recording for virtually unlimited recording time. Additionally, the VENICE 2 supports cache recording and has twice the cache memory as the original VENICE camera.

Super 35 17:9 and 16:9

These popular imager sizes have native support in VENICE 2, and the 8K sensor makes it possible to capture 5.8K footage in 17:9 or 16:9 in Super 35 mode, which allows you to use Super 35 PL mount lenses.

Color Gamut

The VENICE 2 can exceed the BT.2020 color space, with a color range wider than DCI-P3. This means it can beautifully reproduce the true color of the scene in front of your lens. The camera also provides a broad palette in the grading suite, using the established workflow of Sony's S-Log3 and ultra-wide color space, S-Gamut3. Plus, VENICE 2's 6K and 8K sensors match colors almost perfectly, making your grading experience even better.

No Jello Effect

The high-speed readout of the VENICE 2 sensor minimizes the Jello effect typical with CMOS sensors.